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But wanting to spread good is not an end in itself – the execution needs thought for the effort to work to the greatest extent possible.Īs a film, Stalin is much lesser than a professional effort. Chiranjeevi has huge mass-following, and it is quite commendable that he is trying to use that to spread good. Stalin is a well-intentioned film, but suffers on structure and logic.
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He then lands in hospital due to an injury he sustained while in the Army that’s aggravated now, and lakhs of people turn up to pray for him when they realize (through TV channels) that he is the one who started the 3 favors movement, which has spread across the state. The last people we knew capable of that lived circa 3000BC, and all fought in the Mahabharata war. The last fight sees him single-handedly beat up about 200 (no exaggeration) armed and well-built goons. However, Stalin is all-powerful, and needs no brains to handle the crisis – he can just beat up any number of goons. One day he roughs up some goons who hurt a beggar girl, and that snowballs into a huge issue which puts him in direct confrontation with the home minister himself. They should in return help 3 others, and ask those 3 to help 3 others. He has just one request of people he’s helped – that they pass the favor forward. He helps handicapped people write exams, he saves young girls from the flesh trade, and he helps couples in love get married. Stalin (Chiranjeevi) is an ex-Army Major, who quits the Army for certain reasons and settles down to social service in Hyderabad. That factor itself may help the film be a hit, even if very few will return to theaters to watch this a second time. It obviously has something to do with 9 months of all-hype and no-Chiranjeevi. The Chiranjeevi fever appears to be at an all-time high. Stalin comes at a time when Chiranjeevi has had 2 average films in the last 2 years and just 2 hits in 5 years after Indra in 2002 ( Tagore and Shankardada MBBS). Just as you do not compare apples with oranges, you do not compare Stalin with movies.
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But you cannot take Chiranjeevi out of Stalin, for Stalin is not a movie that casts an actor. Take Chiranjeevi out of it, and Stalin is a below-average drama. To understand that, try answering this: would the feeling of being in the Sanctum Sanctorum at Tirupati be the same if you could just stroll in and out whenever you wanted, as opposed to the effort of being in an 8-hour queue now? The hype and the long wait themselves enhance the experience. So it’s hard to say if you will like Stalin. So when a new one is out after several months, it is not just a movie – it is meeting a need. And a whole film casting him then becomes almost too good to be true. It's a virtuous cycle - they are playing to the masses who love him, and all the references make him bigger. Yes, Tollywood continuously makes Chiranjeevi almost mythical.
And a film just out called Dongodi Pelli introduces its hero as "real Chiranjeevi fan, Rajendra Prasad". And finally, there are whole movies with titles like Seenugaadu Chiranjeevi Fan. From Uday Kiran to Navdeep and Sai Kiran and, of course, Allu Arjun, they have all done it. Venkatesh, a huge star himself, spends half his time on stage at Richard Gere’s AIDS initiative at the Lalitha Kala Thoranam, praising Chiranjeevi who is to come later.Īnd for newer actors in smaller films, it seems de riguer to refer to the "Mega Star" in some way. Lawrence dedicates Style to unabashedly singing paens of Chiranjeevi. Grab this: Sunil stops his dance in the middle of the opening song of Andala Ramudu to salute a Chiranjeevi poster along the way, and breaks into adulatory prose about "annayya".
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